Along with my experience as a member of IATSE in Film and Television, I am grateful to have worked with a extremely varied and deeply appreciated set of individuals, teams, and institutions such as Skidmore Contemporary Art, Strand Book Store, Eric Daman, Ruth E. Carter, Quantum Visual Imaging, Toastmasters International, Maybelline New York, A Shaded View of Fashion, Women in Fashion Film Festival, Warner Bros, Macy’s, American Academy of Hospitality Sciences, Intermix, Avon, Movements.org, Cardozo Law Institute, Henri Bendel, Swarovski, Charlotte Russe, Century 21 Stores, QVC, Nickelodeon, Chanticleer Press, The New Press, Workman Publishing, Walker Art Center, Bates International, and The Public Theater / New York Shakespeare Festival. ​​​​​

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For the past decade, I have worked as an Assistant Art Director and Lead Graphic Designer in film and television, creating hero and background scenic design elements, narrative-driven digital graphics, motion assets, and visual systems for major studios including HBO, Netflix, CBS, NBC/Universal, Amazon Studios, Sony, and STX. My work has spanned episodic series and feature films, where I collaborated closely with production designers and art directors to develop visual concepts that support story, character, and tone.

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Across projects—from Friends From College and God Friended Me to A Journal for Jordan, Almost Family, and Second Act—I have led the design of everything from on-camera graphics and prop ephemera to signage, typography, motion inserts, interface design, and large-scale scenic treatments. This experience has given me a deep understanding of visual narrative, editorial clarity, and the ability to create cohesive design systems under tight deadlines and evolving creative direction.

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Please visit my profiles on

 LINKEDIN & IMDB

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